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Jonathan to step down for IBB .
Turai yaradua nominated for Ministerial postition as conflicting reports have reached us from NExt newspapers . all and Sundry have contributed their comments on this crazy development .

From NEXT Newspapers reports have reached us that :

Acting President Goodluck Jonathan took Nigerians by surprise with his last-minute nomination of President Yar'Adua's wife, Turai, for a ministerial position.

Mrs. Yar'Adua's subsequent confirmation by the Senate instantly took her into the history books, not only as the first ever Nigerian First Lady to simultaneously hold a cabinet-rank position, but also as the only Nigerian ever to be screened for a ministerial position in absentia.

The inclusion of the First Lady's name in the list of nominees took the Senators by surprise, becoming known only after the final batch of nominees had been screened. Moments after Mr. Segun Aganga, the last of the candidates scheduled for Wednesday, took his bow before the Chambers, the Special Adviser to the President on National Assembly Matters, Mohammed Abba-Aji, was sighted making his way to the front of the chambers, where he spent minutes conferring with the Senate President.

While the conversation was going on, Mr. Abba-Aji handed over some documents to the Senate President, who broke into a smile when he browsed through them. When the Senate President finally addressed the Chambers, it was to make the surprise announcement - that Acting President Jonathan had, in a bid to increase the quota of women represented in the incoming cabinet, submitted the name of the First Lady for screening.

The Senate Chambers erupted in uproar, which took the Senate President several minutes to calm.

The Senate President then asked Senators to make an exception for the First Lady and screen her in absentia, taking into consideration the fact that her convalescing husband required her presence at his bedside.

There were a few voices of protest, but most of Senators agreed on a symbolic screening. The Senate President proceeded to announce Mrs. Yar'Adua, and then asked her to "bow and go in absentia." This was followed by loud cheering spearheaded by the female Senators present.

With Mrs. Yar'Adua's confirmation, the number of women in the incoming cabinet has risen to six, and the total number of screened nominees to thirty-nine.

The Yar'Adua family is also making history as the only family in recent times to have two nominees in a federal cabinet; as Mrs. Yar'Adua joins Murtala, her husband's nephew, who was screened on Tuesday.

It is being speculated that Mrs. Yar'Adua will be assigned the proposed ‘Power Ministry', which insider sources in the Presidency say should not be confused with the Ministry of Power.


APRIL FOOLS DAY !! !! !!



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Many of us fear death. We believe in death because we have been told we will die. We associate ourselves with the body, and we know that bodies die. But a new scientific theory suggests that death is not the terminal event we think. One well-known aspect of quantum physics is that certain observations cannot be predicted absolutely. Instead, there is a range of possible observations each with a different probability. One mainstream explanation, the "many-worlds" interpretation, states that each of these possible observations corresponds to a different universe (the 'multiverse'). A new scientific theory - called biocentrism - refines these ideas. There are an infinite number of universes, and everything that could possibly happen occurs in some universe. Death does not exist in any real sense in these scenarios. All possible universes exist simultaneously, regardless of what happens in any of them. Although individual bodies are destined to self-destruct, the alive feeling - the 'Who am I?'- is just a 20-watt fountain of energy operating in the brain. But this energy doesn't go away at death. One of the surest axioms of science is that energy never dies; it can neither be created nor destroyed. But does this energy transcend from one world to the other? Consider an experiment that was recently published in the journal Science showing that scientists could retroactively change something that had happened in the past. Particles had to decide how to behave when they hit a beam splitter. Later on, the experimenter could turn a second switch on or off. It turns out that what the observer decided at that point, determined what the particle did in the past. Regardless of the choice you, the observer, make, it is you who will experience the outcomes that will result. The linkages between these various histories and universes transcend our ordinary classical ideas of space and time. Think of the 20-watts of energy as simply holo-projecting either this or that result onto a screen. Whether you turn the second beam splitter on or off, it's still the same battery or agent responsible for the projection. According to Biocentrism, space and time are not the hard objects we think. Wave your hand through the air - if you take everything away, what's left? Nothing. The same thing applies for time. You can't see anything through the bone that surrounds your brain. Everything you see and experience right now is a whirl of information occurring in your mind. Space and time are simply the tools for putting everything together. Death does not exist in a timeless, spaceless world. In the end, even Einstein admitted, "Now Besso" (an old friend) "has departed from this strange world a little ahead of me. That means nothing. People like us...know that the distinction between past, present, and future is only a stubbornly persistent illusion." Immortality doesn't mean a perpetual existence in time without end, but rather resides outside of time altogether. This was clear with the death of my sister Christine. After viewing her body at the hospital, I went out to speak with family members. Christine's husband - Ed - started to sob uncontrollably. For a few moments I felt like I was transcending the provincialism of time. I thought about the 20-watts of energy, and about experiments that show a single particle can pass through two holes at the same time. I could not dismiss the conclusion: Christine was both alive and dead, outside of time. Christine had had a hard life. She had finally found a man that she loved very much. My younger sister couldn't make it to her wedding because she had a card game that had been scheduled for several weeks. My mother also couldn't make the wedding due to an important engagement she had at the Elks Club. The wedding was one of the most important days in Christine's life. Since no one else from our side of the family showed, Christine asked me to walk her down the aisle to give her away. Soon after the wedding, Christine and Ed were driving to the dream house they had just bought when their car hit a patch of black ice. She was thrown from the car and landed in a banking of snow. "Ed," she said "I can't feel my leg." She never knew that her liver had been ripped in half and blood was rushing into her peritoneum. After the death of his son, Emerson wrote "Our life is not so much threatened as our perception. Whether it's flipping the switch for the Science experiment, or turning the driving wheel ever so slightly this way or that way on black-ice, it's the 20-watts of energy that will experience the result. In some cases the car will swerve off the road, but in other cases the car will continue on its way to my sister's dream house. Christine had recently lost 100 pounds, and Ed had bought her a surprise pair of diamond earrings. It's going to be hard to wait, but I know Christine is going to look fabulous in them the next time I see her. Robert Lanza, MD is considered one of the leading scientists in the world. He is the author of "Biocentrism," a book that lays out his theory of everything.
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Zambezia from Triggerfish Animation on Vimeo.

While Nollywood can boast the largest output of films (albeit on video) after Bollywood, it seems South Africa is making serious money-making strides of more universal appeal. Whilst browsing the Screen Africa website I came across a recruitment ad placed this week for a wide variety of positions available due to the expansion of the team behind the production of Zambezia, “a pioneering CG animation feature to be produced in Africa.”Intrigued, my mind went to the only other animation film from Africa I could think of, a 1977 Nigerian film (pre-Nollywood) called Bisi, Daughter of The River co-directed by Jab Adu and Ladi Ladebo. If memory serves me correctly, it was actually live action combined with animation and, while I have lingering images of a young woman (played by British-Nigerian actress, Patti Boulaye) wading into a river in the ethereal surroundings of animated landscape and creatures, I’ve tried, and failed, over the years, to find out what became of that film as I only ever saw clips/trailers of it on Nigerian television in the 70s – no doubt part of the promotions for FESTAC ‘77 (the 2nd World Black & African Festival of Arts & Culture).According to Mohamed Ghazala of the Fine Arts Faculty, Minia University, Egypt, African animation started about 70 years ago in Egypt and was founded by the Frenkel brothers who were not professional artists or animators, but Jewish carpenters who immigrated to Egypt from Russia in search of freedom and work and achieved the unexpected; the first African animated cartoon throughout Africa.Ghazala, in his blog post, The History of African Animation, writes that the hero of the 10 minute film, In Vain (Mafish fayda), was Mish Mish Effendi, who, he says, was the prototype of Disney’s well-known Mickey Mouse. Unfortunately this film was lost when Cairo burned in 1951. However, The Frenkel brothers’ second film, National Defense, is still preserved.Currently, African animation only exists in Egypt and South Africa, with about 50 animation studios producing animation commercially for Egypt and other African and Middle Eastern countries.So, back to Zambezia which, sure enough, is from a South African animation studio, Triggerfish. According to a September ‘08 article in Screen Daily, Cinema Management Group (CMG) president, Edward Noeltner, picked up international rights for the 3D animated feature ahead of last year’s Toronto International Film Festival.According to the Screen Daily article:“This an exciting and visually exhilarating story with wonderful moral values which, much like Disney’s Lion King, will appeal to audiences of all ages in every corner of the globe,” Noeltner said. “We are very excited to be offering Zambezia for the very first time in Toronto where we have footage from the film to screen along with a full plate of new projects to offer.”And from the blurb on CMG’s website:On the edge of an enormous waterfall, in the heart of Africa, lies the bird city of Zambezia. Famous for its impregnable defenses against egg predators, it has become the breeding sanctuary for birds from throughout the river valley. With half of its massive Baobab shell gone, Zambezia City is the ultimate tree house, humming with birds on every level, from its roots at the base, to the platforms high in the leafy tops.Aero, a young Taita Falcon from a remote outpost, is the protagonist of the story. He dreams of flying on the prestigious River Watch. When Aero’s father is captured by the treacherous Marabous, he is forced to abandon his outpost and flee to Zambezia. However, Aero soon finds himself at the centre of a deadly plot concocted by the Marabous – who have joined forces with giant, egg-eating lizards – to overthrow Zambezia and return things back to “every bird for himself”. If Aero is to save Zambezia, he will have to learn that not all battles are won with fast and fancy flying.Set in the spectacular Zambezi River Valley, the film draws on this unique natural environment as its inspiration – an inspiration which can be seen in the beautiful, quintessentially African elements of the film.But it would seem that CMG (who also hold the international sales rights to the recent dramatic feature, African Violet) also snapped up another Triggerfish project because they also own rights to Khumba, “the story of a half-striped zebra, born into an insular, isolated herd obsessed with stripes. Rumors that the strange foal is cursed spread and, before long, he is blamed for the drought that sets in. When his father, the leader of the herd, blames him for the lack of rain and the subsequent death of his mother, the outcast zebra leaves the confines of his home knowing that he cannot survive in the herd without all his stripes.” Both Zambezia and Khumba are due for release in 2011.Another South African animation, which is slated for international release this year, is Kalahari, the story of Crash, a cheetah who is the fastest cat in Africa, but who has the inability to corner. When his mother is lost in a brush fire, he is adopted by a family of meerkats who try to teach him how to be a cheetah, and help him find his “chee” (inner spirit) in order to corner. According to Wikipedia, “Hollywood producer Laszlo Bene assembled the film’s crew, which fully comprises personnel from the local entertainment industry. The film’s $23 million budget was financed by offshore funds and Johannesburg investors. Its production details were kept secret during its development, which took place throughout most of 2006.”Kalahari is reported be released in the United States by a major distribution company and will be South Africa’s second animated film after the 2007 film Tengers, a full-length claymation satirical black comedy about life in post-Apartheid South Africa.Maybe it’s because most of the animators, from the Frenkel brothers to the Triggerfish team, aren’t indigenous Africans but, apart from Bisi, Daughter of the River and Tengers, animals seem to feature predominantly in most of these films, seemingly raising the profile of Africa for international audiences without actually featuring indigenous African people. To be fair, Triggerfish’s 2009 show reel does have several black characters featured, but I’m guessing these are for local South African TV consumption, and that they’re going with the Lion King and Madagascar -type models where it would seem that epic or romanticised visions of Africa are considered more palatable to mainstream international audiences when presented with adorable four-legged or winged creatures. Given their varied stock of characters, I wonder if Triggerfish will one day break that mold and give international audiences some loveable, entertaining African characters that are actually human… or maybe even be beaten to it by one of the other 49 African animation studios!Zambezia Trailer
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shake it off and step up !

One day a farmer's donkey fell down into a well. The animal cried piteously for hours as the farmer tried to figure out what to do. Finally, he decided the animal was old, and the well needed to be covered up anyway; it just wasn't worth it to retrieve the donkey. He invited all his neighbours to come over and help him. They all grabbed a shovel and began to shovel dirt into the well. At first, the donkey realized what was happening and cried horribly. Then, to everyone's amazement he quieted down. A few shovel loads later, the farmer finally looked down the well. He was astonished at what he saw. With each shovel of dirt that hit his back, the donkey was doing something amazing. He would shake it off and take a step up. As the farmer's neighbours continued to shovel dirt on top of the animal, he would shake it off and take a step up. Pretty soon, everyone was amazed as the donkey stepped up over the edge of the well and happily trotted off! Life is going to shovel dirt on you, all kinds of dirt. The trick to getting out of the well is to shake it off and take a step up. Each of our troubles is a steppingstone. We can get out of the deepest wells just by not stopping, never giving up! Shake it off and take a step up Remember the five simple rules to be happy: 1. Free your heart from hatred - Forgive. 2. Free your mind from worries - Most never happen. 3. Live simply and appreciate what you have. 4. Give more. 5. Expect less Have a lovely week everyone.
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