Film (9)

Walking Gorilla attracts 5m YouTube viewers

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Walking sensation Ambam click photo to watch 

 

Little more than a month ago gorilla Ambam was an undiscovered talent living a quiet life in his enclosure at Port Lympe Animal Park.

But like the many You Tube sensations before him, all it took was a moment of magic captured on camera to send him to the dizzying heights of stardom.

Since the 20-year-old silverback western lowland gorilla was filmed walking on his hind legs like a human, he has become a global star with the footage viewed across the world almost five million times.

The first 18-second piece of film reached a massive three million views, but after claims the clip was fake, staff at Port Lympe uploaded a second film which has received almost two million hits.

Visitors now flock to the gorilla enclosure at feeding time in the hope of catching the 34-stone beast having a two-legged stroll.

Phil Ridges, head gorilla keeper at the park, which is located near Folkestone, said staff were totally unprepared for the response.

"Ambam has been exhibiting this behaviour his whole life," he said.

"Just days after uploading the clip the phones were ringing off the hook with people wanting to know about Ambam and we were inundated with requests from around the world for interviews and information.

"We have had a lot of speculation that it is a man in a gorilla suit or that he has been trained to do this but Ambam has not been trained in any way, it is just something he chooses and is able to do."

Mr Ridges said there has been more visitors to the gorillas at feeding time.

"Ambam doesn’t seem to know what all the fuss is about," he said.

"While his bipedal tendencies have captured the imagination of people worldwide we are hoping that his fame will have the more serious affect of highlighting the plight of the critically endangered Western lowland gorilla.

"The charity that runs our parks, The Aspinall Foundation, is well known for its work with gorillas both at Howletts and Port Lympne and overseas where we protect over one million acres and reintroduce captive gorillas back to protected areas of the wild."

Footage of Ambam was filmed by animal researcher Johanna Watson while she was working with the University of Manchester on a project about apes.

Mr Ridges said the behaviour was not unusual for the species.

"All gorillas can do it to some extent but we haven’t got any who do it like Ambam and he is quite a celebrity at the park," he said.

"We think he might use it to get a height advantage to look over the wall when keepers come to feed him.

"Standing up can also help him in looking for food generally in his enclosure as it gives him a better vantage point.

"Ambam can also carry a lot more food if he stands and uses both hands, and walking on two feet also means he doesn’t get his hands wet when it is raining."

Visitors to Port Lympne can see Ambam and the rest of his group being scatter fed daily at noon and 3pm.

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Nollywood to Coach Brazilian Film makers

Brazil seeks Nollywood expertise in film making

Governor Baba-tunde Fashola of Lagos State has said that in the next couple of months the state government, in collaboration with Nollywood, will sign a Memorandum of Understanding, MoU, with the Brazilian Government to teach Brazilian artistes movie production.

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Governor Fashola made this known in Alausa during a courtesy visit by Nollywood actors and actresses under the aegis of Lagos Artistes for Fashola, LAFF, led by Mr. Segun Arinze who are championing the campaign for Fashola's second term in office.

His said: "There is an offer on the table from the Brazilian government which the state government is yet to harness. The last time I visited Brazil, the Brazilian Minister for Tourism asked that they will like to sign a Memorandum of Understanding, MoU, with Nigerians to teach Brazilians on how to produce home videos.

"That offer is still on the table and we are yet to harness it because we are yet to have this type of forum where we can work out the necessary modalities. As soon as the artistes are ready, I will re-establish the contact and open up the network."

so that whatever benefits comes from the contract, the credit goes to the country and the movie industry."

Fashola, however, commended the artistes for their support during the 2007 electoral campaign and urged them to promote the ideals that would better the lots of the people in the society.

The Governor said: "By sheer deed of commitment, you have found a way where there seems to be no way. You have helped to address youth restiveness and unemployment."

adding that lots of youths had not been harnessed in the area of cinematography.

"How many Nigerian universities offer courses in cinematography? I champion this course that Nigerian universities should offer courses in such area. Many of you were probably forced into acting out of necessities."

He appealed to the actors and actresses to use their movies to shape and fight the ills in the society rather than negative exposure, citing several cases were Police were portrayed in bad light in movie scenes.

He said: "Maybe you may not pay attention to the values you portray, but I do. Your work is influential and you can use it to promote the image of this country. For instance, our Police are doing well.

"Any time you produce movies and you get to a police scene, they are always portrayed as badly dressed, that is the image you are sending out."

Speaking earlier, Arinze also commend Fashola. He said: "Governor Fashola had done tremendously well and is an actualiser. And that is the reason why I have gathered my colleagues who have made impact in the movie industry in the state to come together to support your Second term bid.

"We have come together for the actualization of your second term. I don't care whose ox is gored. We will stick with you throughout the campaign period until the victory is won," he said.

Arinze added that the artistes would release album, jingles and the rest to sensitise the people and ensured that they voted for the governor next year, stressing that "there is now a brand called 'BRF.'

"We will go to the grassroots to mobilize the people, we will support you; you will get our backing and support," Arinze said

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HONG KONG (AFP) – A group of Hong Kong filmmakers have started shooting what they claim will be the world's first 3D pornographic film,a report said Sunday.

The 3.2 million-US-dollar '3-D Sex and Zen: Extreme Ecstasy', set forrelease in May, has already generated interest in a host of Asian filmmarkets, as well as Europe and the US, the Sunday Morning Post reported.

Loosely based on a piece of classical Chinese erotic literature, TheCarnal Prayer Mat, the movie will star Japanese adult actresses YukikoSuo and Saori Hara, the Post said.

The film chronicles the story of a young man who, after being introducedto the erotic world of a duke, realises his ex-wife is the love of hislife and features "orgies, swinging and some very graphic sex scenes",the paper said.

Producer Stephen Shiu acknowledged that censors would likely block themovie's screening in mainland China, a key market for Hong Kongfilmmakers..

"(But) we are almost closing deals with some markets including Japan,Korea, Southeast Asia and some pay TV channels in Hong Kong," Shiu toldthe paper.Photo:Italian director Tinto Brass (pictured) has announced his plans to produce a 3D remake of his 1979 erotic …

Italian director Tinto Brass has announced he would produce a 3D remakeof his 1979 erotic film Caligula, while Hustler plans to release apornographic spoof of 3D science fiction film Avatar, the top-grossingmovie of all time which has earned some 2.7 billion US dollars worldwidesince its release.

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He is humble, very humble. He is also behind many charitable causes. Van Vicker is his name and he is insatiable. He believes he cannot be fulfilled until death. For him there is still much to be done and can be done to improve life. Viker, apart from producing films is into advertising and promotions, a feat he achieved through dint of hard work and persistence. He loves his family, but craves to spend more time with them. Read all about him. Excerpts:Van VickerWe learnt that before you do any movie in Nigeria you insist that you get the distribution right in the US. Is this true?It is not true. I don’t insist on being in the movie before I distribute. If I’m doing any movie and I think it will be a hit movie I will discuss with the producer or the EP… my guy, I want to buy this movie after we are done and he either says yes and then we negotiate or no I already have my own distributor. I have been in several movies and I didn’t get the right to distribute them in the US.Again I have distributed some that I featured in and I distributed them in the US. But me insisting that before I’m in your movie, I must have the distribution right, that is so natural. I do not say give me the movie. I pay for them.... I pay cash, so if they are going to charge me whatever the figure is, I pay. So it is not free. I don’t act for free. I never insist that if I don’t get the right in that movie I won’t feature in it. I will just be stifling my own career if I do. So, that’s not the way it works, its negotiable. We talk.We learnt that you are not just an actor… you are beginning to venture into movie production and directing as well?I don’t know if branch will be the very right word. I think it’s more of an addition. I have always had the passion for being behind the cameras. Actually that’s where my career began. I worked with a TV station for so many years and I was trained as a production assistant and then I went as far as being the assistant head of entertainment. I very much know how TV works and how camera works.When I started acting, it didn’t take away that passion, it was just more of something I wanted to explore so I decided to direct and produce. I did my first in 2007, my second production in 2008 and I am doing my third and fourth this year. It’s more of a passion… like the way acting is to me and that way it gives me control of the product I’m putting out there, who I want to be in the movie, what message I want to send out there and not be at the beck and call of the producer all the time. I want to have my own say in what people see and how they are entertained.Does that mean we will see more of you as a producer this year?Yes. I will produce two for a start and probably the last quarter of this year I might just do another one. Let it not be that Van only produces and directs his movies. I will direct anybody’s movie too, if I’m given the opportunity. I have already had two requests and I know with time we will get it done.What is the big deal about RAJ The dancer?I think it’s an excellent movie. Some of the love stories we do are not just about them being love stories. They become a little bit monotonous, the same old crap; get married to this person, don’t get married to that person, mother says this, father says that. I think it’s over flogged. It’s easier for us to shoot love stories, because of lack of equipment and budget. If we are doing a love story, I think we should add some extra spice. I was in a movie titled Beyouncé, a name that I created myself but it is not my production and a lot of people started calling me Raj. After that, I decided to capitalize on the popularity of that name and I want to do sequel to it.When is it coming up, who are the stars in it, why is it different?It will be coming out in Africa by March and in the US and Europe in February . We have Kofi Ajolo from Ghana and the other person is Nana. She is a new actress. The movie is about wife battering but the spice again is the dancing part. So it’s not just the usual thing. I think this movie will be better than my first which was Friday night; the movie I did with Nana Amama. I want to believe that this will be a step-up and I know the future ones will also be something to cheer.Does that make you a dancer?I was trained. I did weeks of training to do that part. I don’t dance but I have got a professional, a choreographer and everything and in my basic schedule I got it done, so I tried.So we see a lot of dancing from Raj?I wouldn’t say a lot of dancing. The first dancing was in the gym where I was competing with someone. The second dancing was the steatites I did for the girl in the movie and the third dancing was the saucer dance that the girl and I performed. So we‘ve got three dances i.e one at the beginning, the next in the middle and the last one at the end.Who wrote the story?I wrote the story. I screen-played the story and I directed it alongside a Nigerian director, Kalou Aryan and I produced it. I was the executive producer. My production company Sky Orange Production was quite involved.People say you are becoming bigger in the Ghanaian movie industry because you are the biggest star… how true is this?I think if you know me, you will realize that I’m a really humble person. I don’t think it is wise for any human being to think that he or she is the ultimate. You know you might have been able to achieve so much people have not been able to attain. It doesn’t make you the ultimate. I think one of the best things in life is for you to have everything and still be very humble. Still be down to earth. For me it is the most important venture that I cherish. Them saying Van is acting like he’s big, that is a terrible perception. Some people try to be mischievous, some because of bad belle. Any how you want to put it … but I totally disagree with that. Whoever knows me will testify that Van is a very humble person.So what happened between you and Abudulsalam?I keep saying that nothing happened between me and Abudulshalam, the CEO of Venus. It’s just a little misunderstanding that has do with scheduling. As a matter of fact he called me up and said he wanted to do a production. He asked if I was in Ghana. I said no and asked him when he was coming down. He said “I’m not too sure yet I will let you know anyway what it is about. I want to shoot a film”. I said Salam don’t tell me you want to shoot next week. He said “yes I want to shoot next week”.Then I said it’s not possible because you need to get real, get used to the idea that people grow in life, they have more responsibilities, their schedule gets tighter. You need to understand that and stop this child’s play. You called me up today and you want to shoot a movie next week, 4, 5 years ago I could afford to do that because I was working for myself and I wasn’t shooting a lot of films, now I can’t do that because I have schedules. I have commitments. I can’t disappoint another man to satisfy you that won’t be fair. That’s bad for business. So he said “okay fine, so when is your schedule” and I said it has to be around the 3rd week or 4th week in March.Then he said “ Ah that is too far… well then you can go ahead and shoot when you are ready we can schedule something, you know I shoot every month”. I said fair enough. But are we going to shoot in March, is it confirmed with you that we will shoot in March because you will wait one week till you shoot and call me up. It still will not work even though you did tell me you will shoot in March because you are not confirming it now. By the time we are in March my bookings would have moved to May, so you need to tell me now.He couldn’t give me a confirmation date and you know two things come to play. I need to see the script to know if I want to do the job for whatever reason. After I’ve seen the script we need to negotiate, then we confirm a date then I know we are in business. Yes! Because he has disappointed me three times. It was all over the papers. Whatever they said ... he came to my office and then he said Van let’s talk this thing out and I said okay.Is it true that Van is the most expensive actor in Ghana ?I wish. Well I don’t know. I think I get what I am worth. I don’t know about the others but I get what I am worth. If I’m the most expensive I thank God for that. I think it is a blessing but I can’t agree because I don’t know what my colleagues earn. They can be earning far more than I do but I am contented with what I have because I know I am getting my worth.So you are saying you are not too big for your industry?Impossible. I am not too big for my industry and I think I love my industry and I know there are lots of people out there who love and support what I do. I am sure a lot of people know that Van is not big… he is just maybe busy, maybe producers are not meeting the protocol to get him to be in their films. Period.How close are you to other Ghanaian stars?I am close to all Ghanaian stars. There is something I have noticed; it has nothing really to do with Van. It seems a lot more guys are closer to the ladies and the ladies are closer to the guys. It is not common to see two, three, four artistes that are of the same sex close. So as it is, I’m closer to more ladies than to the guys and I think the reason is because we almost every time get paired up with the opposite sex so we tend to spend more time together than with the guys and the same thing goes for the ladies.You are close to Nadia?Yes I am close to NadiaJackie?Yes.What about Mama Brown?Yes. We did a movie; she did my first movie for me.What about Majid?You know something? I know Majid, I was going to do a series, before I was directing that series. I actually shot some scenes and Majid was in my movie but I have never released it and he was in that series. Yes Majid is my friend .Let’s talk about Nollywood. Is it true you put yourself in the same class with RMD and Ramsey Noah?That will be a very annoying thing to do. Hollywood’s Brad Pitt is a good actor, Clooney is a good actor but there’s no way Brad Pitt will put himself on the same level as Clooney because Clooney has been there for a while or Albert Ino because they’ve been there. You just have to acknowledge the fact that this person has been there… you need to give them credit, you need to acknowledge them, you need to give them due respect. So if anybody said Van said it, it’s even annoying to the ears… it is ridiculous.Honestly. It is not like we had a beef, I don’t have a beef for any of them.. Maybe if we had a beef, you might say probably he said it, I don’t have a beef with any of them. I met RMD for the first time at Solo Amaku’s birthday party in Asaba.... I think almost two years ago and I said cool dude. We sat, we talked, we laughed and I never met him again. As for Ramsey, before we met, I called him four, five times because I wanted him to do a movie as a brother with him in Liberia. So I spoke to him several times more and not only about the production; there was a time I was in the US and I called him on some other issues I have forgotten. But we have met twice in Abuja. The first meeting was at the location of Reloaded. The second movie we did was when Stephanie called me for Izu Ojukwu’s movie. We had two or three scenes together in the movie..What happened on that set?I got a call from Stephanie when I was on my way to Ghana from Lagos. Stephanie told me that a producer, Izu , would call me for a job and I said fine. So he called me a few minutes later and he wanted me to do a job and I said I am already on my way to Ghana. He told me later that Ramsey could have been on that set but there was a little issue they needed to trash out. I think it was a monetary stuff so I think Ramsey didn’t have the time and he had already been paid and they were already on set.They needed to move on. So that was how they fell back on me. Then I was like let’s do it. I dropped everything and I went to Abuja the next morning .Then I was told Ramsey was coming. So they said there was this other role they wanted me to play, but I said that was not why you called me, somebody must have misread the situation and said I didn’t want to act under Ramsey. But they don’t know the story, you get what I am saying? So I said but I have already been told that he wasn’t showing up that I should come. I’m actually your savior right now and now you want me to look bad.So I went back to him and said my guy I don’t want to play this particular role; but after so much talk I eventually played the role. I thought about this same thing as in if I no do am they go say I no wan play under Ramsey. We spoke on that set for over 40 minutes and it didn’t seem that we had any problem.. I think he is a cool dude, so there is no way that I would ever say that I’m better than even the worst actor.So what happened to Desmond?Concerning this story, I called him after I received your call. I said Desmond, what’s up? He said, fine. I told him how they alleged that I said I won’t play under him and he said no, that is a lie. And I told him that a Journalist was going to call him to clarify the issue, and he said, okay, make dem call. That was it. Honestly, until I read the story, I didn’t remember the incident but I do remember that I have done two movies with him.I don’t remember having such issue with him because for me, it wasn’t an issue. I was given a role like Ikechukwu rightly said and Desmond was also given the same role. Until I got on set I didn’t realize we were given the same role. I don’t know if he got the role then or earlier but I was given the role earlier. I told them that I was already prepared for that role, how are you going to go about it? If I can’t play this role, then you just carry your thing because I don’t want to strain myself and read something new.Let’s just forget it. So, whether they decided to compromise or whether it was a lie, I won’t freaky know; but until I read it, I didn’t remember that particular incident. The story made me look like I intentionally didn’t remember but Ikechukwu remembered. That is the way it was interpreted. The way Ikechukwu’s line was written, If Van no remember, person remember. That was the way it came out. If only you told me about the incident, I would have confirmed it, that yes, I remember something like that but this is what happened but like I said, I didn’t see it as an issue anyway.So, Van is not arrogant?At all, that is impossible. I think I am a very jovial person and as much as I am jovial, I am also quite blunt. I know it is bad sometimes to be blunt but it is also good in a way, so that you don’t look like you are deceiving somebody or being an hypocrite. It has got its negative side and sometimes, it has helped me as an individual to be blunt. So, I have been able to control how blunt I can be, but I don’t think I am arrogant. I don’t think I blow my trumpet, that to me is ridiculous.How have you been maintaining a silent family?It is amazing how strong my wife is because I know many African women might not be able to hold this down. Divorce is everywhere even in Hollywood but the African marriage is way different. I am so proud of her …every time I go home she’s there. I am sure she’s had sad moments and terrible days and nights especially when her friends call her and say, have you seen this movie? Did you this girl kissing Van? Not did you see them kissing?. I know she’s had terrible times over rumors in the papers...Van is doing this to a person, actresses wanting Van in their beds and all sorts of crap. I appreciate her so much. God knew what my destiny was so He gave me the right person to marry. Having said that, juggling family life and my traveling is crazy. On her birthday I wasn’t there. I called her up at midnight because I told her that if anybody calls you before I do, please don’t answer it. I wanted to be the first to say happy birthday. I called her around 10:00 PM . Last year, I wasn’t there, this year I am not there.I know she’s making a lot of sacrifices. So am I, but we must make sacrifices to get what we want in life sometimes and I know it will pay off. My kids, they miss dad, every time I call home, they ask “when are you coming home”, “I want you to come home now”. Those are some of their lines and it breaks my heart. But, I think I am doing it for their future and they will understand.How long have you been married?I have been married for six years. This year, precisely October 17th will be my seventh year of marriage but I have been dating my wife for sixteen years. We have been together since 1994.Do you get scared when you read about and see celebrities breaking-up?I don’t think it bothers me because for me, my wife is not just a wife. I think she’s more of a friend to me than a wife. So, I am not frightened by what I read in the papers . I am not bothered about all these break-ups and make-ups. I am comfortable knowing that everything is going to be well and I know she believes that I am her husband and I am going to be there for life in good times and bad times.So, you are doing all these things to make your marriage work?Yes. I do all I can, and that is why I seem not to be very social because I spend every little time I have with my family. I either go out with my family or go out with my wife and spend quality time with them because I am not always there. People call me and say, Van, I don’t see you at occasions, what’s up? The longest time I spent with my family the whole of last year was 14 days... I mean at a stretch. Before that, 2 days, a day, 3 days, hours.What’s her occupation?She is a Human Resource Manager at Camelot Ghana Limited where they print checks.How many actresses have you dated?None.What happened?Nothing happened. We might be good friends but that does not give room for any intimacy.What happened with you and Nadia?We never dated. As at 1999, we were close, now we are not so close and that is the truth. We were close because we started acting together way back in Ghana and we were paired up a lot of times. I think for the first five movies I did, she was there and so, we became close. I didn’t get close to Jackie like that because Jackie was always on the other side of the film.You know it was usually Nadia and I that were having the love thing going, but until she got involved with ACN, she started traveling a lot and doing other stuff. So that bond was lost because she is on a different level now. At a point in time, she wanted to stop acting, whether it’s true I don’t know.But for me, she just disappeared at a point in time. I didn’t know what was happening and now, we have never been able to get back so close because everybody is getting busier and busier.So, you never dated Nadia?No, we never dated. Several websites said that we went for the Fifth Continent Awards in US and that I was acting as a body guard to Nadia that I wasn’t wearing my ring or hiding my ring. Why would I be hiding my wedding ring when the whole world knows I’m married? Some people even said, Tonto and I were caught in bed. Actually they cut the picture off a movie and pasted it and they said we were dating. People just like to be mischievous and I don’t know why.Does this things get at your wife?If I were her, it will get to me.So, it doesn’t get to her?It does…. it definitely does but if it were me, I would have done worse than she does. She’s human, she’s feminine and that is why I said if I were in her shoes, I would have done worse.What does she do when she sees stuffs like that?I am not going into details of what she does but I am saying that she’s human and she flips sometimes.But does she believe you every time you say it’s not true?Well, my wife trusts me. It is not about believing, it is about how true people want to make it seem that becomes a question.Are you saying that Van is a faithful husband?Yes. I am a faithful husband.How did it all start?It started way back in 1997 when I went for an audition for the post of a presenter in a newly opened T.V. station, TV3 Network, still TV3 Network till date. She saw the advert in the newspaper and told me about it. I did the first audition, the second, the third and I was hired. That was the genesis. I did presentation and production work. Then I resigned and moved on to a radio station, Groove FM. . I was hired to do the drive time program.. That TV station was changed to a local station and because I don’t speak the local language, I had to move on. Then I went to another TV station, Metropolitan Television, MTV for short where I started producing and presenting programs. As a staff, I did uncountable programs, from live to recorded, what have you.I presented and produced a lot. That was where I rose to be the assistant head of entertainment. And while I was there, I went to another radio station, Vibe 91.9 Fm, and then I was presenting a night program, so I was doing the radio work and the TV as well. Then I had it on television series. I was a star in it. I started over in Sun City and then it moved on and that was when I thought about doing a movie. The first one I did was Divine Love; I did that with Majid and Jackie around 2004. I actually stopped radio before I started the film because the series was not giving me time. I later resigned from TV and started running my own advertising agency I named Sky Orange. I did it for a while. Then, the movie thing started getting bigger and bigger and I had to let my partner run Sky Orange while I did other stuff.How has your academic adventure been so far?One of the biggest regrets I have in life is the fact that I never went to the university. I am not going to go into details why I didn’t go but I didn’t go and it is something that if I could turn back the hand of time, I would do anytime. I attended one of the best boarding schools in Ghana, Mfantisipim School but having said that, despite the fact that I didn’t go to the university, I did several courses… I did one in marketing, I did another in accounting but I didn’t really like it, then I did stuff in production. So, I’m looking at upgrading myself. I went to the New York Film Academy because I wanted to upgrade myself.The things you learn in school many times is not the same thing you learn on the job. So, I thought that I have been practicing acting; I needed to learn the book side of it and truly, it has being really helpful. It has opened my eyes to see the things I have been overlooking or things I didn’t even know, or that I have gotten to know how to apply . It has been really helpful. I also intend to do courses in directing, producing and script writing probably this year or next year but I am happy to know that a few of my colleagues are also going to NYFA.Are you fulfilled?I don’t think I’ll be fulfilled till I go six fit deep because for me, there is so much to achieve in life.What are the things you still want to achieve?I still want to do movies. I don’t think I have gotten the kind of movies I want to do yet and even starring. I don’t think I have done a film that will wow me, it hasn’t hit me like that yet and until it does, I don’t think I have achieved anything yet.Some people say you are Liberian, others say you are Ghanaian, where are you from?I am a hybrid of three backgrounds. My dad is Dutch; my mom is part Ghanaian, part Liberian. So, that makes me quarter Ghanaian, quarter Liberian and half Dutch. I was telling my wife what if you weren’t a Ghanaian? Let’s say you are from Nigeria , our kids will be a fraction of one country and one fourth of another country. It is funny. For me, I see myself as a global citizen. Whenever I find myself in Liberia , I tell them I am from Liberia . When I am in Ghana and they ask me where I come from, I will tell them I am from Ghana and when I am in Holland , Amsterdam or wherever, I tell them I am a Dutch man because that is the truth. I can’t run away from it. I have their blood running through me. I might not have spent much time in these places but at the same time, there might be lapses here and there but I do have that blood and I am proud of that .So, how did you get to Ghana ?My dad met my mom in Liberia . He used to work with an electric corporation then. He passed away when I was six. Before then, we came to Ghana a few times but we actually moved here just before the war, because the war hadn’t really broken out like that but we knew it was going to be bad, so we just moved out and we had to basically start from scratch.How .....?We came to Ghana in 1991 and because of the war, it has never been ideal to go back even though some people have gone back. But for me, Ghana is home, Liberia is home, Holland is home. My mom is retired.How close are you to your dad’s family?Whenever I talk about my dad, tears flow from my eyes. I always say, the fact that I didn’t grow with my father made me very strong. It got me determined because I knew there wasn’t a father there to point you out. Mothers will point you out but because she is a single mother, she’s got a lot of responsibility in her hands and she might neglect certain areas . So, it made me very strong.I am not close to my father’s side because you can imagine it, in the 70’s the black and white thing wasn’t really a good topic especially from the Dutch. So, we did not have that raport . He was actually like an outcast because he got married to my mom. I don’t have a link with them because he became an outcast and we didn’t have that relationship as a family. Black and white wasn’t a favorable topic in the 70’s, so it just didn’t work.So, what was his name?Vicker.How come you bear Van Vicker?Van means the son of (Mr. Vicker). So, I can continue to call my boys Van Vicker, so it is the son of that Vicker.What is your full name?Joseph Fhiphi Van Vicker. Fhiphi means, born on Friday; it is a Ghanaian name.After three children, should we expect more?I am done having children. Two girls and a boy are wonderful. I thank God because it is a blessing.What do you expect in 2010?I expect to boost my Foundation some more because I think I have gotten to a stage where a lot of youths look up to me as a model and I will love to encourage them in the best way that I can. I am going to boost my Foundation some more and I am going to reach out to more youths and helping them attain what is possible. I started off by donating to New Life International Orphanage .That for me was to kick start the whole thing and I am in collaboration with Nations Children in the US and a few other companies to be able to have a lot of them donate to my Foundation and in turn donating it to the orphanages in Ghana and possibly Liberia and Nigeria as well. So, my Foundation is paramount to me in 2010. It is unfortunate what has happened to Haiti . It could have happened to any other country. So, it is important that we all show our sympathy.I could have been in Haiti in the middle of January because I did make a pronouncement last year during my premier of Raj The Dancer in the US that I was going to shoot a movie in Haiti with a Jamaican star, a Caribbean star and an Asian star plus Africans and it could have been January 2010. I thank God for my life because I could have been in Haiti at about the time of the earthquake. I thank God but my sympathy goes out to all those who have lost their loved ones, families and relations and I am doing the best I can to help raise funds for Asians because I know I have a lot of Asian fans. My Foundation will raise funds and I also know that Nollywood is trying to raise funds and I am going to be part of that.I also want to be part of the benefit cause in Miami to help raise funds for Asians. Still speaking of 2010, I will produce more movies this year than last year because I also want to also push my directing and production career. It doesn’t mean I will not direct any other person’s movie. I will if I am approached. In 2010. I want to see Van in box office movies, be it mine or any other person’s and I still have a passion for shows and for showbiz. I love it and I will continue to do the best I can.... Are you doing condom indeed?No, I am notIt is something I am also planning to do in 2010. I will be coming out with my own merchandise which is a 2010 calendar. This is my first merchandise , my brand. I intend to come out with a perfume line, as well as clothing… who knows what else it could be? But the calendar is coming up in February and I am sorry for the delay but it’s got to do with the print delay in the US. My calendar will be sold all over the world. The US , Canada , Europe and Africa . So, that is the first of my merchandise but there is more to come. I want the Van Vicker brand to attain the highest height ever.
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WINNIE Madikizela-Mandela has threatened legal action against acclaimed South African director Darrell Roodt, who plans to make a film about her life.

A letter from her attorneys says Madikizela-Mandela is "extremely concerned" to hear of the planned film about her life "in circumstances in which she has never been approached for consent or at all".

"It is difficult to understand how a production bearing the name of an individual who has not been consulted at all could ever be appropriate or tell the full story of that individual life, as media reports suggest this production is intended to," the letter says.

"This is certainly the case here where our client has not responded to allegations and comment which have been made about her, precisely because she has sought to protect her sphere of personal privacy as best she can in extremely difficult and turbulent times," the attorneys' letter to Andre Pieterse's Ironwood Films reads.

Attorneys met with Roodt and Pieterse on Friday, but failed to reach an agreement with the film-makers.

News of the film, Winnie, hit South Africa late last year when it was revealed that American singer turned actor Jennifer Hudson had been offered the starring role.

The movie, which is set to start filming in May, has taken Roodt more than six years to bring to production and is based on a biography of Madi- kizela-Mandela by Anna-Marie du Preez Bezdrob.

South Africa's most acclaimed actor, John Kani, has voiced discontent at the casting of Hudson.

"From which angle has the movie been written?" Kani asked. "Will she be seen as a villain? If you did a movie of Nelson Mandela in 1967 it would have been that of Osama bin Laden."

He did not see a problem with an American portraying Madikizela-Mandela.

Kani said he fully supported freedom of expression and the right to interpretation, but warned that there were certain "sensitivities that must be considered" when telling the story of the person people consider to be the Mother of the Nation.

He did not see a problem with an American portraying Madikizela-Mandela, but felt producers should first explore the pool of local talent and consult local actors' unions before casting their eyes elsewhere.

"Now it's a free-for-all. Artists come here like they're tourists and end up telling you: 'I'm watching you'," said Kani in reference to the beer ads featuring Louis Gossett Jr.

"Jennifer Hudson is welcome to play Winnie, but what frustrates me is the South African producers' fascination with Hollywood. Yet they are the first persons to talk about 'local is lekker'," said the veteran actor and playwright.

Neither Roodt nor Pieterse was available for comment. Bezdrob, the author of Winnie Mandela, A Life, has said she hoped it would be a balanced movie and has described Madikizela-Mandela as "an incredible person".

In the letter to Ironwood Films, Madikizela-Mandela's attorneys warn the film-makers that she reserves her legal rights in the matter.

"Our client would have expected that the principal concern of the producer of such a film publication would be the need to respect the fundamental rights of those to be depicted particularly where the struggle for fundamental rights is the backdrop to the story itself," the attorneys write.

But a copyright expert believes that, although Madikizela-Mandela may object, she would struggle to win a court battle. "Normally, that would be a breach of a person's right to privacy. But she's a very public figure who's very well-known.

"Generally, there's nothing she can do to stop them from making a movie like that unless it's defamatory," said Spoor and Fisher.


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Will the 3-D wonders of Avatar change the film industry?By Michael CieplyJust five months after Warner Brothers released its talking-picture sensation The Jazz Singer in October 1927, the studio was back in theatres with another talkie, the crime drama Tenderloin.In today's Hollywood, things take a little longer.Never seen beforeEven as James Cameron's science-fiction epic Avatar continues to dazzle the audience with its visual wizardry, filmmakers and studios are struggling to figure out when, if ever, viewers can expect an equally striking on-screen experience. With its combination of immersive 3-D images and a sophisticated performance-capture technology, the movie has, as of Sunday, taken in $1.3 billion (approx. N195 billion) in worldwide ticket sales, much of it from 3-D screens.Asked last week if any similarly ambitious film were in the works, Alec Shapiro, senior vice-president for sales and marketing of Sony Corp.'s content creation group, whose digital cameras were used on Avatar, was stumped. "Not to my knowledge," he said. "I can't, offhand, see another half-billion-dollar production."Cameron and his producing partner, Jon Landau, have talked of possible sequels to Avatar. But 20th Century Fox, which distributed the movie and helped underwrite production and marketing costs of about $460 million (approx. N69 billion), has yet to announce plans for any successor to a film that was at least 15 years in the making.In a research report published by Barclays Capital on Wednesday, Anthony J. DiClemente and George L. Hawkey called Avatar an "outlier": a unique event that leaves the business environment around it largely intact."While Avatar is likely a watershed for digital and 3-D technology," they wrote, "it does not tell us that the underlying economics of the film business have changed."DiClemente and Hawkey predicted that Avatar would be a moneymaker, though they do not expect imitators anytime soon. In a detailed financial model of the film, they estimated that Fox and its partners would see slightly more than $1 billion (approx. N150 billion) in pretax profit from their investment in Avatar.How the best was doneAs for cinematic technology, the achievement of Avatar was not so much a single leap - like the one from silent film to sound - as an integration of complex filmmaking systems that allowed Cameron to combine live actors and computer animation in a relatively seamless, and believable, blend of fantasy and the real world. Critics and audiences noted a qualitative difference between what they saw on the screen in Avatar and what they saw in other recent films that used 3-D or motion-capture technology.At its core was a 3-D "virtual" camera, developed by Cameron in partnership with the effects expert Vince Pace. The camera and its rigging systems allow a director to view actors within a computer-generated virtual environment, even as they are working on a "performance-capture" set that may have little apparent relationship to what appears on the screen.Among the next films to use the same system will be Tron: Legacy, a cyberspace adventure due from director Joseph Kosinski and Walt Disney this December. Another is The Adventures of Tintin: Secret of the Unicorn, directed by Steven Spielberg and set for release by Dreamworks, Paramount Pictures and Sony Pictures in late 2011.But it is not clear, for instance, that Spielberg's use of the technology - and reliance on Weta Digital, the company made famous by Peter Jackson and that produced the effects for Avatar - will strike viewers in the same way as Cameron's fantasy moon and blue aliens."We can't talk about what it's going to look like, because that process goes on for another two years, practically," said Marvin Levy, Spielberg's longtime spokesman.(A Christmas Carol from filmmaker Robert Zemeckis used motion capture and 3-D technology, but looked wholly different from Avatar and took in just $137 million (approx. N20.6 billion) in domestic theatres after Walt Disney released it in early November.)The imitation of innovationSo far, Guillermo del Toro, who is expected to direct the first of a two-part fantasy series based on The Hobbit for release in 2012, has stuck with a plan to film that movie with more-conventional, 2-D techniques, even though Jackson - a powerful force behind both Avatar and Tintin - is among his producers.Executives of Warner's New Line Cinema unit, one of the studios behind the project, have in the past said that they believed that 2-D would be well suited to the sense of intimacy they anticipated from The Hobbit and its fantasy universe - and nothing about Avatar appears to have changed that plan.Still, some filmmakers were sufficiently inspired, or jolted, by Avatar to shift gears. Shortly after seeing Avatar last month, for instance, Bryan Singer, who in the past directed summer blockbusters like X-Men and Superman Returns, asked New Line to consider using 3-D in filming his planned fantasy Jack the Giant Killer. The debate continues, according to people who have been briefed on the matter and spoke on condition of anonymity because of studio policy.Katie Martin Kelley, a spokeswoman for Paramount, said that studio had made no decision about whether its planned Transformers and Star Trek sequels would make the leap to 3-D, possibly giving the audience another sampling of the kind of immersive world devised by Cameron.Michael Bay, whose third Transformers film is set for release in July of next year, declined to be interviewed about his plans.J.J. Abrams, who is developing another Star Trek film to be shot in the next couple of years, also declined to be interviewed about his plans for that franchise. But Paramount executives have already begun debating whether to shoot the next film in 3-D, even if that increases the cost and production difficulty, according to one person who was briefed on the talks but spoke on condition of anonymity because he was not authorized to comment.Asked whether he would consider making a movie on the scale of Avatar, Brad Grey, the chairman of Paramount, said in an interview in early December, "With a lot of sleepless nights, I guess I would."But the Transformers and Star Trek sequels are at least a year and a half away. And a new Spider-Man episode is not due until 2012, now that Sony Pictures has cancelled a planned fourth instalment from director Sam Raimi and star Tobey Maguire, choosing instead to focus on a reinvention of the series, with a new director and cast.The next stepThat leaves a long stretch during which moviegoers, tantalized by Avatar, will be watching fantasy films like Iron Man 2 from Marvel Entertainment and Paramount or Jonah Hex from Warner and Legendary Pictures, neither of which is as technologically ambitious as Cameron's recent film.Speaking by telephone last week, Landau said the Avatar innovations were perfectly suited to prospective projects like Battle Angel, a film that is based on a Japanese comic and that has been in development for Cameron to direct at Fox.While he and Cameron have not settled on their next project, Landau said he believed a new, Avatar-like film could now be made in no more than the two years or so it takes to produce many effects-driven films, and for no more expense.Asked how quickly the next such movie might arrive, Landau said, "I hope sooner, rather than later, and not just from us."© 2010 New York Times News Service
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It has been revealed how Super Eagles striker, Obafemi Martins, extranvagantly squandered about N3.1 trillions while a player of Newcastle.MartinsadvertisementHis former management company, NVA Management Limited who has dragged the player to court over breach of contarct, told the jury how the player’s account almost went red because of his lifestyle.Obafemi Martins was paid £75,000, but allegedly squandered the earnings on an extravagant lifestyleA former Premiership footballer routinely blew his £75,000 a week wages in a matter of days and was constantly overdrawn, a court was told yesterday.Obafemi, ex-Newcastle striker 25, was paid the handsome salary after he joined the club for a £10million fee in August 2006.But despite his extraordinary earnings, his former management team yesterday claimed they repeatedly bailed him out after his bank account continually slipped into the red.The High Court heard that the Nigerian international player would withdraw £40,000 in cash from his bank account at the end of the week.But that would only last him two days, the court heard, as he topped up with a further £25,000 on the Monday morning.He was always overdrawn and repeatedly relied upon NVA Management Limited to ‘manage his life’, the High Court was told.Martins, who owned several fast cars including a top of the range Porsche 4X4, spent the money funding an extravagant lifestyle of luxurious penthouse homes and fine dining.He is now being sued by his former management company which claims that he still owes them 300,000 for sorting out his finances.He told the court that Martins would withdraw £40,000 for the weekend, followed by another £25,000 on the Monday.‘Despite earning these vast sums of money he was constantly overdrawn,’ added Mr Tennink.He said the firm, which looks after the affairs of several footballers, film and music stars, said that Martins had agreed to pay them for simply managing his life.It was under their stewardship that Martins agreed a £2million image rights deal ‘simply for being Mr Martins’.It’s claimed Martins was constantly overdrawn despite earning £75,000-a-weekHe also had lucrative sponsorship deals with various companies including Pepsi and Nike but had not been paid.When the company stepped in to run his affairs they sorted the unpaid contracts, bringing in thousands of pounds.They also organised visas when he travelled to Italy, where he once played for Inter Milan, and sorted out his passport, his mortgage and property valuations.They even arranged critical illness cover and were constantly running up and down the motorway from their London offices to Newcastle in a bid to do all that he required.‘But surely these were things a secretary could do?’ asked Judge Richard Seymour QC, referring to the size of fees charged.‘It was a Jeeves-type of role that they performed.’Mr Tennink protested that managing every aspect of his life was just part of what they did, and asked the judge to bear in mind the sort of figures these players earned.He said Martins had come to them in July 2007 and had agreed a fee of around £300,000 plus 20 per cent of any sponsorship monies they managed to acquire on his behalf.“He asked for these services to be carried out,” Mr Tennink told the court.Before they managed his affairs, Martins had not been paid a penny for his image rights for the use of his name on Newcastle shirts and mugs and had received nothing from his sponsorship deals.He could not even find the contracts he had originally signed, Mr Tennink added.Martins paid the company £67,500 in January last year and another £25,000 in April last year.But the question for the court to decide, said Mr Tennink, was whether there was a ‘binding obligation’ for him to pay the outstanding bill of over £300,000.After Newcastle were relegated from the Premiership last summer Martins was sold for £9million to German Bundesliga Champions Wolfsburg.Martins, who once owned a penthouse apartment overlooking Newcastle’s exclusive Quayside, is fighting the claim.The hearing is scheduled to last for three days.
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LONDON, England (CNN) — Nigeria’s huge film industry, Nollywood, may have overtaken Hollywood as the world’s second largest producer of films, but piracy is threatening to cut off the industry in its prime.Nollywood insiders estimate that up to 50 percent of the industry’s profits are currently being lost to Nigeria’s endemic piracy and corruption problems.“Piracy has dealt a big blow to the industry,” Emmanuel Isikaku, a Nollywood producer of 13 years and president of the Film & Video Producers and Marketers Association of Nigeria told CNN.Isikaku, 42, claims he lost so much money on his 2007 movie “Plane Crash” through piracy that he failed to recover his costs, despite the film’s popularity with audiences.“I couldn’t make anything from it,” Isikaku told CNN. “Because of piracy I didn’t even break even.“A lot of people watched the film, but unfortunately they watched pirated copies,” he said.Nigeria’s huge, mostly unregulated film industry is based in Lagos, the sprawling, frenetic financial capital of west Africa’s largest country.your advert can be here for free !
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Made with a spirit of grassroots entrepreneurship, Nollywood’s video-format B movies are vibrant and inventive, fusing traditional voodoo and magic with urban romance stories.They are films that speak about modern life from an African perspective, driven by a narrative that is strongly rooted in the African oral storytelling tradition. Nollywood films are wildly popular across the continent and with the African diaspora all over the world.Nollywood recently overtook Hollywood as the world’s second biggest producer of movies behind India’s Bollywood.In 2006 it produced 872 movies compared with 485 major feature films in the U.S. (although for a fraction of the cost), according to a global cinema survey conducted by the UNESCO Institute for Statistics (UIS).Hollywood has started tapping into Nollywood’s global popularity: Earlier this year, “Close Enemies,” the first crossover film, was produced in LA by Prince Ade Bamiro using major Nollywood stars. It was made for $300,000 — about 10 times the average Nollywood budget — and was screened in the Nigerian Pavilion at Cannes.But improvements in piracy technology are making the problem more acute, draining Nollywood’s coffers and confidence and stopping the industry from making the improvements in quality it needs to cross over into the global mainstream.Nigeria’s independent producers self-fund hundreds of movies each year. The average budget is around N3.5 million ($25,000). They make their money back by selling DVDs of their movies, which they burn themselves, on stalls in markets or in shops.While Nigerians are wild about watching films, Nigeria has virtually no formal cinemas with 99 percent of screenings using DVDs held in informal settings, according to UNESCO.Producers have only one distribution route compared with, for example, Hollywood where studios recoup production costs through cinematic exhibition — an arena currently safe from piracy — and make a profit from DVD sales and TV rights.Most pirated movies are a victim of their own success: Pirates take the fastest-selling DVDs to China to be mass-produced and bring them back to Africa to sell.According to Isikaku, piracy was eating into his profits back in 2005, when he estimates he lost N10,000,000 ($68,000) because of illegally copied DVDs. But, he says, the problem became “alarming” in 2007 when pirates started to use video compression technology.Video compression digital technology allows from five to 20 films (both Nollywood and Hollywood) to be squeezed onto one disk and then sold for around N590 ($4).When a legitimate Nollywood DVD is sold for the equivalent of $7 to $10, it’s hard for producers to compete.“This new development in piracy has the potential to kill the industry off completely,” Dr. Sylvester Ogbechie, President of the LA-based Nollywood Foundation told CNN.Although no official figures exist, Ogbechie estimates from his conversations with some of the industry’s top producers that up to 50 percent of profits are currently being lost to piracy.Isikaku claims the problem is so endemic in Nigerian culture that some cable TV channels will air Nollywood movies without the permission of the producer, or that if they do pay, they pay “peanuts.”“And the moment people are watching on TV, they are discouraged from buying DVDs at the market,” he said.All this has had a knock-on effect on the confidence of the industry.“You think twice before you invest in film productions now,” says Isikaku. “Investors are being discouraged.”This feeling is endemic, and producers are trying to bring down production costs: “The quality of our productions is going down every day,” he explained.This is a blow to an industry known for low production values and whose practitioners are mostly self-taught.Criticisms of the industry’s films include poor sound quality, inadequate lighting, ill thought-out camera angles and the repetitive nature of many of its storylines.Insiders know that improving the quality of their films is crucial if their young industry is to make the leap into the global mainstream.They say Nigerian government must tighten up border controls and seize pirated DVDs as they re-enter the country from China.“Some of these movies come in through our airports, our ports,” says Isikaku. “Much depends on the government agencies.”Hope may come from the direction of Nigeria’s National Film & Video Censors Board led by Director-General Emeka Mba, who is making moves to restructure and formalize the industry.“There has to be some process of formalizing the industry — giving the industry depth and that’s where the government can come in through regulation, through incentives and create that process of empowerment for the industry,” Mba told CNN.“Hundreds of thousands of Nigerians are in this industry, especially young men and women.”Despite the setbacks, Isikaku also remains hopeful for the industry. “Pirates have stopped us working hard because we don’t get what we are due but all hope is not last because we are passionate.“Nollywood can come together to take action to help this industry to survive,” he said.your advert can be here for free !
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naija's film industry is garnering global attention as the United Nations Educational, Scientific and Cultural Organisation, yesterday declared Nollywood the second world film producer.A global cinema survey conducted by the world body's Institute of Statistics and released at the UN head office in New York and UNESCO office in Paris yesterday, India kept the first position, but naija has edged out the United States from the second position. The US is now number 3 after India and naija, according to an Empowered Newswire report.The survey ranks countries based on the number of films produced in a year, and not on the quality or on the turn-over of the films from those countries.Global attention on Nollywood has been mounting in recent times, especially as naija films have become hot commodity among African-Americans in the US and blacks from the Caribbean countries. Only last month, a daily US government bulletin described Nollywood as a rising star in the world of film production, paying tribute to the acumen of naija actors and film producers.Visits of famous naija actors from naija to the US is often a celebrity event with US-based naijas taking autographs from the Nollywood stars.While the Indian film industry is known as Bollywood, the American industry is known as Hollywood and naija's known as Nollywood. Both India and naija coined their industry appellations from Hollywood.The UNESCO survey which tallied 2006 figures revealed that Bollywood produced 1,091 feature-length films in 2006 compared to 872 productions (in video format) from naija's film industry. The United States produced 485 major films. The report quoted naija, US and India as the three heavyweights in global film production.The report actually spotlighted Nollywood further, noting what the UN statement called "the explosive growth of Nollywood" which is now attracting "considerable attention, especially in developing countries looking for alternatives to the U.S. or European models of film production and distribution, which require considerable investment."Said the report, "To begin with, naija filmmakers rely on video instead of film to reduce production costs," adding that naija has virtually no formal cinemas. About 99 per cent of screenings occur in informal settings, such as "home theatre."The UNESCO survey further reveals "another key element of the naija success story: multilingualism. About 56 per cent of Nollywood films are produced in naija's local languages, namely Yoruba (31per cent), Hausa (24 per cent) and Igbo (1 per cent). English remains a prominent language, accounting for 44 per cent, which may contribute to naija's success in exporting its films."The UNESCO findings were collected through a new international survey launched by the UIS in 2007 with financing from the Government of Québec. Overall, the survey yielded data from 99 countries.After the three 'heavyweights', there were eight other countries that produced more than 100 films: Japan (417), China (330), France (203), Germany (174), Spain (150), Italy (116), South Korea (110) and the United Kingdom (104)."Film and video production are shining examples of how cultural industries - as vehicles of identity, values and meanings - can open the door to dialogue and understanding between peoples, but also to economic growth and development. This conviction underpins the UNESCO Convention on Cultural Diversity," the Director-General of UNESCO, Koïchiro Matsuura, said. "And this new data on film and video production provides yet more proof of the need to rethink the place of culture on the international political agenda," he added.Despite its limited coverage, the survey provides a unique perspective on how different countries and regions are transforming traditional approaches to the art and industry of filmmaking, especially in video and digital formats.The survey also revealed considerable linguistic diversity in film production in Spain and Canada. In Spain, almost 69% of films were produced in Spanish, 12% in Catalan, about 9% in English, 4% in Basque, almost 3% in French and 4% in other languages. In Canada, 67% of films were produced in English and 31% in French in 2006.Despite these results, English remains the dominant language in filmmaking globally. In total, 36% of films produced in 2006 were shot in English, according to the survey.US films continue to dominate admissions globally. Although the survey is not exhaustive, a clear trend seems to have emerged when considering the provenance of the top 10 films viewed in diverse countriesAll of the top 10 films seen in Australia, Bulgaria, Canada, Costa Rica, Namibia, Romania, and Slovenia were made in the U.S., according to the survey. There were however some notable exceptions.Bollywood productions were the obvious favourite in India. In France, seven out of the top 10 films were French. And in Japan and Morocco, domestic productions accounted for five out of the 10 most widely viewed films.
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